M.A. English

Each anatomy British Poetry British turn British Novel Aspects of Language provide comprise one identification of 100 marks. This duty assignment be tutor marked. Aims The TMAs are conceffred rrainly with assessing your application and understanding of the racetrack material. You are not required to reproduce chunks of information from the course material but to use the skills of critical appreciation that you may oblige acquired during the course of study. These assignments airn to t separately as well as to assess your performance.Please attend that you read the texts and the ccomp all(prenominal)ing study guides that we founder prepared for you. Let rne repeat you must(prenominal) read all the texts prescribed. Do make points as you go along. It at that place is anything you do not understand, divert ask your Counsellor at the matter Centre for clarification. Once you are able to do the assignments satisfactorily, you will be ready to take the exam Nith confidence. Instructions Before attclnpting the assignment please read the following instructions carefully. 2 3 Read the flesh out instructicns about the assignments given in the create mentally Guide Elective Courses.Write your cuckold 1 ro. aflle, full address and date on the top rightfulness corner of the first page of your resolution sheet(s). Write the Course Title, fitting Number and the Narne of the Study Centre you are attached to in the contract ofthe first page ofyour chemical reaction sheet(s). The top of the first page of your response sheet should look like this Use only foolscap size newspaper publisher for your response and tag all the pages caref-ully. Write the relevant question nuinber with each final result.You should write in your own handwriting Submission The completed assignment should be sent to the Coordinator of the Study Centre allotted to you ty 3tr March, 2aL4 gar Juty 2013 Session) and 30h company 201 i (for January 2014 Session). Please react the ins tructions given in the Programme Now read the following guidelines carefully before rejoindering the questions. GUIDELINES FOR TMA You will find it useful to keep the following points in mind 1. think Read the assignment carefully. Make some points regarding each question and past rearrange these in a logical order.And please write the causes n your own talking to Do not not reproduce passages from the units. 2. 0rganisation Be a little more selective and analytic before displace up a rough outline of your answer. In an adjudicate-type question, give fitting attention to your introduction and demonstration. The introduction must offer your brief interpretation of the question and how you propose to develop it. The conclusion must centermarize your response to the question. In the course of your answer, you may like to make references to other texts or critics as this will add some depth to your analysis.Make sure that your answer ) is logical and coherent b) has clear con nections between sentences and paragraphs c) is written correctly large-minded adequate consideration to your convention, style and presentation d) does not exceed the derive of words indicated in your question. 3. Presentation Once you are satisfied with your answers. you john write down the final version for submission, writing each answer neatly arid underlining the points you wish to emphasize. You may be aware that you take on to submit your assignment hefore you can appear for the Term End Exams.Please cogitate to keep a copy of your completed ssignment, Just in grounds the one you submitted is lost in transit. Good luck with your work tone Remember the submission of ussignment is precondition of permission of appearing in examination. If you have not submitted the assignment in time you will not be allowed to appear in examination. MEG-OI BRITISH POETRY Programme MEG Max. mark 1 Ast code MEG-OI ,TMA12013-1 4 In a conventional class your teacher would have discussed y our assignment with you, pointed out what made a expert seek and what a bad one. We have done exactly the like thing in Unit 52 of the British Poetry (MEG-OI) course.Read it carefully and discuss it with your counselor and class-fellows at the Study Centre. Thereafter subside upon a topic, i. e. a period or literary group in the floor of British poetry. you may, if you wish, select a topic from the list given in sz. z. t (p. 70) in Block X. Alternatively, you could write on a British poet of your choice. you may write on a poet discussed in the units, i. e. on the syllabus, or even a poet we have not discussed in detail such(prenominal) as Robert Burns, G. M. Hopkins, R. S. Thomas, Ted Hughes or Seamus Heaney. You may have heard some of our lectures on The Movement, Philip Larkin nd Ted Hughes on the EduSat.It may now be available on e-gyankosh on wmw. ignou. ac. in You have yet another choice. Write an essay on a famous poem in position literature. Having decide upon your top ic, do your research and then read section 36. 5 in Unit 36 in Block VIII for a nonplus essay and a format for presentation. you may learn how to present your terminus paper/sessional essay from 36. 5. You must not quote from unacknowledged sou rces. To sum up, write an essay on a period or a literarv group in British poetry or a British poet or a British poem in about 3000 words on the model provided in 36. (in unit 36).The full marks for the essay is 100. We look forward to reading your sessional essay. Sincerely yours Teacher MEG-02 BRITISH frolic (Based on Blocks 1-9) Programme Code MEG Assignment code NEG-02 120 1 3-201 4 Maximum Marks Answer the fbllowing questions in 300 words each. Discuss 2. the plot ot Dr. Faustus. low would you rate A Mid,cummer Nights Dream 3. Clomment on the indecisive bent of mind of Hamlet. (10) 4. What features make Alchemisl an fabrication? 5. How is Playboy relevant as a comedy? today? 6. chin-wagging on Pygmalion as a Shavian play. 7. What fba tures make Murder in the Catherlral a poetic drama? 8.Conrnrent on the title of 9. Waiting. tttr Discuss the nucleotide of Look Back in Anger. 10. Irrorn among the plays you have read choose any one that you have liked giving reasons lor your choice.Trace the development of modern English fiction with specific referenc6 to the major shifts in literary perspective during the ordinal century. 20 2. Would it be correct to say that in Tom Jones, palm considers mariage to be a ere socio- economic arrangement under which women feel unendingly suppressed?Discuss. 3. Discuss the metaphor of the web in the context of events and great deal relating to Bulstrode in Middlemarch. 4 Suggest the political and artistic implications ot placing the Orientalist paradigm. 5. How does Realism ftnd expression in ofl Passage to British fiction of the 1960s? Base your answer on your understanding of The Prime of Miss Jean Brodie. MEG. 04 ASPECTS OF LANGUAGE course code All questions are compulsory Wri te short notes on any two of the following. Competence and performanceLangue and parole Conversion as a morphological device Falling tone and rising tone the conclusion India within stage. brietly the history ot language planning snowing clearly the tocus at each Give your own definiti* of language. What are the characteristics of human communication and how is it different from sensual communication? 20 What is foregrounding? Discuss this in terms of degenerate examples from your reading of literature. Pick out your own examples say how they are deviant, and what is the touch on the reader. What is the difference between pure vowels and diphthongs? How do you describe twain?